Proceedings

Conference Proceedings

Underlining indicates lab students trained under Canadian Tri-Agency funding rules

Noble, G., Spyra, J., & Woolhouse, M.H. (2020). Memory for musical key distinguished by timbre. Proceedings of the 2nd International Conference on Timbre (Timbre 2020), 57-60. Thessaloniki (online), Greece. [LINK]

Spyra, J., & Woolhouse, M.H. (2018). Effect of melody and rhythm on the perception of nonadjacent harmonic relationships. In Parncutt, R., & Sattmann, S. (Eds.) Proceedings of ICMPC15/ESCOM10, 421-425. Graz, Austria: Centre for Systematic Musicology, University of Graz. [LINK]

Swierczek, K., Spyra, J., & Woolhouse, M.H. (2018). The functional nature of theoretically decorative common-tone chords. In Parncutt, R., & Sattmann, S. (Eds.) Proceedings of ICMPC15/ESCOM10, 442-446. Graz, Austria: Centre for Systematic Musicology, University of Graz. [LINK]

Bansal, J., Chhin, A., Zaranek, A., Balas, M., Noseworthy, M., Paulseth, J., Woolhouse, M.H. (2018). Neurophysiological effects of dance technologies on the development of Parkinson’s Disease. In Parncutt, R., & Sattmann, S. (Eds.) Proceedings of ICMPC15/ESCOM10, 67-70. Graz, Austria: Centre for Systematic Musicology, University of Graz. [LINK]

Barone, M. D., DaCosta, K., Vigliensoni, G. & Woolhouse, M. H. (2017). GRAIL: Database linking music metadata across artist, release, and track. Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 1-6. Shanghai, China. [LINK]

Bansal, J. & Woolhouse, M. H. (2015). Predictive power of personality on music-genre exclusivity. Proceedings of the International Society for Music Information Retrieval Conference, 652-58. Málaga, Spain. [LINK]

Woolhouse, M. H. & Tidhar, D. (2013). Songs from overseas: Music downloading as a marker of migration. Proceedings of the 41st Annual Conference of the Canadian Association of Information Science, 1-4. Victoria, Canada. [LINK]

Woolhouse, M. H. (2012). Wagner in the round: Using interval cycles to model chromatic harmony. Proceedings of the 12th ICMPC – ESCOM Conference on Music Perception & Cognition, 1142-1145. Thessaloniki, Greece. [LINK]

Hadley, L., Tidhar, D. & Woolhouse, M. H. (2012). Effects of observed music-gesture synchronicity on gaze and memory. Proceedings of the 12th ICMPC―ESCOM Conference on Music Perception & Cognition, 384-388. Thessaloniki, Greece. [LINK]

Woolhouse, M. H. & Tidhar, D. (2012). Querying 1.8 million music downloads from 13 countries. Proceedings of the 40th Annual Conference of the Canadian Association of Information Science, 1-4. Waterloo, Canada. [LINK]

Woolhouse, M. H. & Tidhar, D. (2010). Group dancing leads to increased person perception. Proceedings of the 11th International Conference on Music Perception & Cognition, 605-608Seattle, USA. [LINK]

Woolhouse, M. H. & Rohrmeier, M. (2008). Is there a relationship between pitch attraction and generative grammar in Western tonal music? Proceedings of the 10th International Conference on Music Perception & Cognition, 628-637. Sapporo, Japan. [LINK]

Woolhouse, M. H. & Cross, I. (2008). Using Kolmogorov-Smirnov to determine the effect of interval cycles on the formation of Krumhansl & Kessler’s (1982) tonal hierarchy. Proceedings of the 10th International Conference on Music Perception & Cognition, 438-444, Sapporo, Japan. [LINK]

Woolhouse, M. H. & Cross, I. (2006). An interval cycle-based model of pitch attraction. Proceedings of the 9th International Conference on Music Perception & Cognition, 763-771, Bologna, Italy. [LINK]

Woolhouse, M. H., Cross, I. & Horton, T. (2006). The perception of non-adjacent harmonic relations. Proceedings of the 9th International Conference on Music Perception & Cognition, 1236-1244, Bologna, Italy. [LINK]

Woolhouse, M. H. & Cross, I. (2004). The role of interval periodicity in hierarchical pitch perception. Proceedings of the 8th International Conference on Music Perception & Cognition, 486-492, Evanston, Ill., USA. [LINK]